Kale Roberts (Tampa, FL) August 2019. 100 sips: 100 cups and 100 locations from Elsewhere’s collection and surroundings as a digital montage. 4 Ways to Feed You: 19 Castings from the 3rd story flooring at Elsewhere warped and draped into plates on low fire earthen ware. Pole Service: Vertical pole happenings and public service engagement bringing...

Coe Lapossy (Lake Pleasant, MA) resin, paper, graphite, paint, reflective window film, video loop (museum collection: rubbings from glass window on 2nd story bedroom, rubbings of trap door, rubbings of soles of shoes from residents and staff). August 2019. 19″x22″. The trap door located in the stage near the front door to elsewhere covers access to the...

Jay Gould (Baltimore, MD) August 2019. Positive collodion on blackened metal and mirror. Walnut wood, LED lighting, stereo viewer, reclaimed case. Varies: 14x20x5” stereo case Eight 8×10 collodion images, One 4×5”. Silver Spirits is a two-part project that uses the 19th-century wet-plate collodion photography process to transport Elsewhere viewers through time and space, encountering spirits, mysteries, and...

Marina Peng (St. Louis, MO) August 2019. Corrugated plastic, alligator clips, galvanized steel cable, screw eyes. Approximately 48” x 24”. PSA: Satellite is a site for text installations on the museum exterior. It is installed above the back garden door of Elsewhere and can be accessed through the museum or from the alley. The work is created...

Julia Gutman (Brooklyn, NY) August 2019. Museum Collection Sofa Frame, foam, Museum Collection upholstery fabric, Museum Collection trim, shredded Museum Collection upholstery fabric. 60 x 26 x 53, inches 30 x 28 x 11 inches. Modernism saw gendered binaries in the sphere of design. Objects were either superfluous or essential; purposeless or functional; sensuous or rational. The...

Silvi Naçi (Los Angeles) August 2019. Collection fabric and thread. Approx: 91 x 160 inches. Silvi Naçi was born and raised in Albania for half of their life and didn’t come to understand thier own queer identity until years later when they moved to the States. When Naçi was young, their mother would say: “Don’t let anyone touch...

Yixuan Pan (Philadelphia, PA) Philadelphia Goes Elsewhere Fellowship. June 2019. HD video and audio of musical performance using museum collection and found objects; musical score. 3 min, 3 secs. An Orchestra at Elsewhere transforms the museum into a collaborative performance using items found within the public 1st floor as musical instruments. Visitors can re-enact this orchestra and...

Eva Wǒ (Philadelphia, PA) Philadelphia Goes Elsewhere Fellowship. June 2019. Community photo portrait series, inkjet prints on vinyl, miscellaneous museum collection objects; HD video. Dimensions variable. WELCOME is a celebration and statement of queer visibility, inviting in community members to establish the museum as a place of queer gathering and becoming. The multimedia installation takes the form...

Jesse Kudler (Philadelphia, PA) Philadelphia Goes Elsewhere Fellowship. June 2019. 2-channel HD sound installation.  2 mins,  41 secs. Voicing Elsewhere is a multi-channel audio installation that encapsulates a whole month within the artist residency, featuring the voices of the resident artists, interns, and staff living and working at the Living Museum. Rather than work primarily with objects...

Marie Alarcón (Philadelphia, PA) Philadelphia Goes Elsewhere Fellowship. June 2019. Museum collection textiles; acrylic, handmade appliqué. 120” x 36” in. Love You to Life is a banner fabricated out of museum collection that draws on cultures of protest and resistance, decorative folk arts as survival, and religious/spiritual traditions of honor and protection. Incorporated into the piece are...